Pixar’s Hoppers, about a young animal rights activist (Piper Curda) who transfers her mind into a lifelike robotic beaver, hit theaters on Friday, March 6. And with the acclaimed animation house’s latest entry comes a window of opportunity to look back at the company’s 30 years (!) of storytelling and pluck out the best of the best. What are the best Pixar movies? Read on…
From living toys to missing fish to rats with culinary expertise, Pixar’s run (so far) is unparalleled, delivering iconic animated characters, thrilling odysseys, and moments that instantly melt your heart. We’re taking it all in here. All the Cars, Monsters, Bugs, Toys, Incredibles, and more so that we can properly rank Pixar’s full catalogue. Agree? Disagree? Don’t care because there are more important things in life? We got you. Check out our ranking of the Pixar movies, from least-good to cinematic bliss…
29. Cars 3 (2017)
As the second Pixar franchise to get a third movie, Cars is a great example of the more traditional disconnect between kids and grownups when it comes to blockbuster animation. Cars is a merchandise cash cow, but it’s also the studio’s brand that’s left the most older viewers cold. Cars 3 goes the Rocky Balboa comeback route for a more internalized story about Lightning McQueen’s doubt and fear when pitted against a younger, faster generation of racers. Generally, Cars 3 is lauded for being the deepest, most introspective entry of the three, with the consensus being that it’s the Cars flick most aimed at adult Pixar fans. Still, Cars 3 came about at a time when viewers wanted either new Pixar products and/or sequels to better Pixar movies.
28. Lightyear (2022)
Presented as a movie-within-a-movie, making for an unnecessarily awkward connection to the Buzz Lightyear doll and the Toy Story films, Lightyear was meant to mark Pixar’s big return to theaters after Soul, Luca, and Turning Red were all streaming-only exclusives. And it landed with a dud. Striking visuals and a strong voice cast — featuring Chris Evans, Keke Palmer, and Taika Waititi — weren’t enough to make up for a weak story and the bizarre meta-concept that this was the movie, or type of movie, Toy Story’s Andy saw as a kid that made him covet a Buzz Lightyear toy. Ultimately, it’s a thin origin story that will never pay dividends because it’s part of a different franchise’s toy line.
27. Finding Dory (2016)
After a half decade of mostly sequels, and two originals that fell short of expectations, Finding Dory brings back friends-not-food Marlin, Nemo, and Dory for another undersea adventure – this time about tracking down short term memory-challenged Dory as she searches for her long lost parents. With Ed O’Neill, Idris Elba, Dominic West, and Sigourney Weaver adding their voices to the odyssey, Finding Dory manages to be visually impressive and disarmingly charming though it still can’t shake off the unnecessary sequel vibe given that it doesn’t improve on the classic first film and it came during a Pixar era of commercially-driven “sameness.”
26. Cars 2 (2011)
Cars 2 benefits from cherry-picking the best elements of the first Cars movie and switching genres completely by taking Lightning McQueen and Mater out of Radiator Springs and dropping them into the middle of a fast-paced, dynamic spy flick. What’s lost here, for the most part, is the warmth and heart that we adore, and expect, from most Pixar offerings.
Cars 2 is also a darker film where several car characters do meet an untimely, and sometimes gruesome, end. But the fast pacing works in the film’s favor, as the slightly morbid moments flicker in and out as quickly as race car laps. Cars 2 isn’t the usual intimate magical experience you expect from Pixar fare, but it’s still a high-octane adventure the burns fast and furious.
25. The Good Dinosaur (2015)
The Good Dinosaur, considered by some to be Pixar’s biggest “soft miss” from the previous decade, takes on a big “what if?” Asking people to imagine what would happen if the dinosaurs never went extinct, this movie follows a young dino named Arlo who gets swept away from his family and has to journey through the great unknown to get home. The film is one of the most visually stunning projects Pixar has ever created, but it retreads some familiar Pixar tropes and, on top of that, its troubled production shows.
There are some great emotional moments as Arlo and his “pet” human Spot grow closer, and The Good Dinosaur proves that Pixar excels at showing instead of telling. Even when the film does hit story points that feel familiar, it does them well and in a way that children can comprehend — even if it does get a bit scary for its target young audience sometimes.
24. Monsters University (2013)
Monsters University is Pixar’s take on a college movie, with Mike (Billy Crystal) and Sulley (John Goodman) reintroduced as freshmen at MU, both with dreams of making it as a “scarer.” It doesn’t have the emotional weight of the first one (Boo, you are missed), but Monsters University is still a fun and funny movie in its own right. Pixar’s biggest obstacle at this point was their own track record as so many of their films had been so emotional that a certain standard had been set. Pixar, however, uses animation to tell all sorts of stories and not all of them have to make you weep to be worthwhile. We all like a good comedy too, right?
23. Onward (2020)
Onward, which had its theatrical run short-sheeted by the onset of the pandemic (which, in turn led to Soul’s streaming release), combined a high concept realm — that of a land of fairy tales and fantasy updated for modern times — with a off-kilter magical adventure featuring only half a dad being brought back to life for 24 hours, and delivered an unexpectedly poignant look at loneliness and loss. Tom Holland and Chris Pratt headline as two elf brothers on an ’80s Amblin-style quest in this clever, vibrant family fable.
22. Brave (2012)
The first Pixar film to follow a female protagonist (the arrow-shooting princess Merida), the first one to be set in the past (medieval Scotland), and their 13th film to open at No. 1, Brave wisely forsakes the well-worn relationships of other animated fairy tales — the wicked stepmother/stepdaughter dynamic or father/daughter bond or the princess and prince romance — in favor of the more complicated, yet loving bond between a headstrong mother and her equally stubborn daughter. And yet despite that smart choice, Brave still never quite transcends. It’s a technical marvel (Merida’s wild curls, the misty Highlands, immersive 3D), but it’s ultimately seen as a lesser effort from a studio known for breaking new ground.
21. Incredibles 2 (2018)
And the longest time between movies in a Pixar franchise goes tooooo…The Incredibles, which finally dropped a sequel 14 years after the awesome original. Outside of the Toy Story saga, this was the sequel fans had been clamoring for the most and eventually, yes, writer/director Brad Bird returned to gift us with another glimpse into the lives of the superpowered Parr family. This fantastic follow-up takes place right after the end of the first film (a privilege animation provides) and spins the saga off into a “Mr. Mom”-style caper involving Mr. Incredible staying at home with baby Jack-Jack and Elastigirl becoming the standout superhero of the homestead. It might not top the 2004 movie but it admirably switches things up and gives us an exciting new story instead of repeating the beats of the past.
