Building Singapore’s skyline
with a holistic approach to
urban planning
and design
The southern tip of Singapore, where Marina Bay is located today, has been a window to the world for the city state since its early days as a trading port in the 1800s, when the area served as the centre for commercial activities and a point of entry for visitors and immigrants. Following its independence in the mid-1960s, Singapore gradually developed and implemented an integrated approach to urban planning, and the transformation of Marina Bay is perhaps its most successful example.
In the late 1960s and 70s, the nation saw the need to plan for the longer term and to grow the city centre to attract investment, talent and tourists. This resulted in the conceptualisation of Marina Bay, and the decades-long development began in 1971 with ambitious land reclamation efforts. By the late 1990s, 360 hectares of land had been reclaimed to support the vision of the Urban Redevelopment Authority (URA) – Singapore’s national land-use planning and conservation authority – for Marina Bay to serve not only as an extension of the central business district, but also a vibrant waterfront district with many attractions plus ample green and blue spaces.
Today, the area is home to many of the city state’s iconic landmarks and continues to evolve as a sustainable, energetic place designed for people to live, work and play around the clock.
“Singapore takes a long-term and integrated approach in urban planning to comprehensively balance different demands and priorities, such as economic growth, social inclusivity and environmental protection,” says Fun Siew Leng, URA’s chief urban designer. “This allows us to steward our limited land resources to support sustainable development, and to ensure that the needs of our nation, city and people are met.”
Fun adds that Marina Bay’s success is the result of URA’s holistic approach to land-use planning and urban design, as well as its close partnerships with other government agencies and private-sector developers. For example, URA introduced the concept of “white zoning” to provide market flexibility and encourage a good mix of commercial, residential, hotel and entertainment developments in Marina Bay, resulting in interconnected “live-work-play communities” across the area.
URA also ensured the entirety of Marina Bay is highly accessible. Eight Mass Rapid Transit (MRT) stations spanning four lines dot the area, while key landmarks such as Marina Bay Sands and the ArtScience Museum are connected by a 3.5km waterfront promenade.
“Thoughtful urban design was prioritised in the planning of Marina Bay,” Fun says. “For instance, buildings along the waterfront are kept low and framed by taller skyscrapers at the back to safeguard views and create a visually dynamic skyline with pleasant and pedestrian-friendly areas.”
The parks and open spaces are also designed to be “integrated into the larger green and blue networks in the area”, according to Fun. “More than 100 hectares of land was set aside to develop Gardens by the Bay. Today, the three interconnected gardens create extensive green frontages for the developments around the district, bolstering Singapore’s ‘City in Nature’ identity.”
Just as we are never done planning and building Singapore, works to develop and enhance Marina Bay continue to evolve
Fun Siew Leng,
chief urban designer,
Singapore’s Urban Redevelopment Authority
The decades-long journey to transform Marina Bay into the centrepiece of Singapore’s cityscape is far from over. The expansion project for Marina Bay Sands to add more events and entertainment facilities, including a fourth tower and a new waterfront venue called NS Square, are prime examples of the nation’s continuing efforts to enhance this urban design masterpiece and stay competitive on a global level.
“Just as we are never done planning and building Singapore, works to develop and enhance Marina Bay continue to evolve,” Fun says. “These efforts will ensure that Marina Bay and its surrounding areas will remain vibrant and relevant for current and future generations of Singaporeans and visitors.”
Key design landmarks of Marina Bay
Click on the names below to learn more
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Marina Bay Sands
This waterfront integrated resort, designed by architect Moshe Safdie, became Singapore’s most recognisable landmark when it opened in 2010. Spanning more than 120,000 square metres (1.3 million square feet), the complex comprises three 57-storey hotel towers, a luxury shopping centre, a theatre, a museum, a casino, multiple event spaces and a 200-metre-high (656-foot) rooftop observation deck – the world’s longest cantilever structure – complete with an infinity pool overlooking the city.
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Gardens by the Bay
Featuring three waterfront gardens – Bay South, Bay East and Bay Central – this horticulture-themed attraction spans 101 hectares (250 acres) around Marina Bay. The Bay South Garden, which opened in 2012, is the largest and houses landmarks such as the Flower Dome, Cloud Forest and Supertree Grove. Singapore’s President’s Design Award named it Design of the Year in 2013 for its integration of cutting-edge architectural, engineering and horticultural innovations, as well as its sustainability-driven vision.
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NS Square
Replacing the Float @ Marina Bay, this new multi-purpose waterfront outdoor event venue has been under construction since March last year and is expected to be completed in 2027. It will feature a 30,000-seat grandstand, a large permanent stage deck that can host concerts and performances, water sports facilities and a gallery that showcases the history of Singapore’s National Service.
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Marina Barrage
This dam built across the mouth of the Marina Channel was originally proposed by Singapore’s first prime minister, Lee Kuan Yew, and opened in 2008. Marina Barrage acts as a tidal barrier to alleviate the risk of flooding in low-lying areas and helps augment the freshwater supply to the city’s residents. Beyond its use as a comprehensive water management system, it is also a popular recreational site for activities such as windsurfing, kayaking and kite-flying.





