BG3 Is Great But Still Not the Best Baldur’s Gate Game Ever Made

Baldur’s Gate series regular Jaheira loses her husband before the game’s even properly begun, and spends the rest of the campaign fighting through grief, in addition to everything else. Aerie has spent her life as a caged circus performer with her wings clipped; learning to fly again is the least of the issues she’ll be facing. Anomen is a knight-in-training so hungry to prove himself that his own bad judgment gets people killed — including, possibly, his own sister. Viconia DeVir is a dark elf priestess exiled from the Underdark for the disastrous crime of showing mercy… according to the goddess she can’t stop serving.

As you progress through the game, the story you’re living through changes in response to your choices. You control how your characters grow, whether NPCs are happy or dead, and the fate of the entire world around you. Long before “open world” became a common gaming marketing line, Athkatla’s docks, slums, and government district were fully explorable from the moment you arrived in them, stacked with side content you could tackle in any order you desired. Each class, too, gets its own distinct questline: a fighter leads a keep, a thief seizes a guild, a cleric is tasked with restoring a temple — each one a wholly separate slice of narrative gated behind who you actually built your character to be, not a side quest bolted onto a shared story everyone sees the same way. This lends Baldur’s Gate 2 incredible replayability: One longtime player didn’t finish his first full campaign until 12 years after purchase, because he kept restarting as another class to see the world from as many angles as possible.

Image: Beamdog/BioWare via Polygon

12 years is a long time to spend not finishing one game, but, to be fair, there’s a lot going on in Baldur’s Gate 2. Over the roughly 70 hours most players spend finishing the main campaign, you’ll get tortured for information, have no choice but to trust a fellow prisoner who definitely seems as dangerous as your captor, discover with horror what Irenicus is up to, and then decide if you, as a Bhaalspawn, have what it takes to face your murderous siblings. As you grapple with your own identity — and your monstrous Slayer form, crawling its way out of your skin — and what that means for you and your friends, it’s time to ask yourself. Will you be strong enough to ascend to Bhaal’s own throne when godhood is on the table? Or will you end up as crow meat, nothing more than another failed vessel added to a dead god’s list of dead children?

Baldur’s Gate 2 — out in 2000 — became BioWare’s blueprint for several of the company’s subsequent (and legendary) games. Knights of the Old Republic (2003) had an alignment system and late-game-companion twist much like Baldur’s Gate 2’s; Mass Effect (2007) and its loyalty missions feel like Stronghold missions set in space; and Dragon Age (2009) handled origin characters and their unique stories and missions in an eerily reminiscent way. Seeds planted in Baldur’s Gate 2 found their way to Baldur’s Gate 3 — think: companions who react to and judge nearly every choice you make, and an endgame decision about whether to embrace or resist a monstrous transformation in exchange for power — and that’s a game still enjoying near-universal praise and constant, never-ending replays.

Which is fabulous for Baldur’s Gate 3, a game I’m actively replaying more often than not — but why am I constantly seeking new ways to play that game when Baldur’s Gate 2 is right there? Here’s a challenge: When you next feel the urge, Dark or otherwise, to replay Baldur’s Gate 3, pick up the second game, instead. It’s time to understand why players still flinch at Irenicus’s name decades later. (And Baldur’s Gate 2 is old enough that you can usually find it on sale for pennies.) There’s nothing to lose — except your soul, maybe.