Art-house movie trilogies are rare beasts, and even rarer when they are unintended. “I think it was completely accidental,” says Singaporean filmmaker Anthony Chen of the 13-year odyssey to complete his “Growing Up” trilogy.
Art-house movie trilogies are rare beasts, and even rarer when they are unintended. “I think it was completely accidental,” says Singaporean filmmaker Anthony Chen of the 13-year odyssey to complete his “Growing Up” trilogy.
While Junyang falls for a girl from a well-to-do family that he meets at a BTS concert, the widowed Boon Kiat finds his own romance with Bee Hwa (Yeo Yann Yann), a Malaysian immigrant who hawks beer for a living.


While We Are All Strangers and its predecessors share no characters or plot lines, the casting of Yeo and Koh bonds all three films. Koh was the child in Ilo Ilo, Yeo his mother, before reuniting as student and teacher in Wet Season. But Chen swears he never planned it this way.
While their wider filmography captured the grand sweep of history, some of the couple’s most poignant collaborations offer a more intimate look at migration and…
Guillaume Sejourne is the head chef and founder of Le Colvert, a restaurant in Sai Ying Pun, Hong Kong, specialising in French pressed duck. He…
A new type of social event, where connections are curated through cold plunges, sound baths and shared green juices, is redefining networking for Hong Kong’s…
The founders of a new Hong Kong festival dedicated to street dance culture have pledged to transform local perception of a dance category that has…
Cardiovascular disease is the leading cause of death globally, accounting for a third of all deaths. The tragedy? It is largely preventable. On World Heart…
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