
During the emotionally wrecking final scene of Hamnet, Jessie Buckley and Paul Mescal had an issue.
“There were moments where the camera was obstructing us,” Buckley recalls. “We were like: ‘No, we have to see each other.’

During the emotionally wrecking final scene of Hamnet, Jessie Buckley and Paul Mescal had an issue.
“There were moments where the camera was obstructing us,” Buckley recalls. “We were like: ‘No, we have to see each other.’
“And then the minute we did see each other, it was like ‘Oh, no,’” Mescal says, laughing. “What a glorious thing.”
Zhao’s film imagines the possible connection between the death of Shakespeare’s son and the birth of one of the playwright’s greatest works. It is a portrait of a marriage, in grief and literary greatness. In many ways, it is also a movie about seeing and being seen.
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