Kazakh artist Gulnur Mukazhanova’s large-scale installation soaring above the entrance of The Mills, in Tsuen Wan, Hong Kong, is a dazzling display of traditional Central Asian textiles.
Stretching three storeys high above the atrium of the cultural space – converted from former cotton mills – the clusters of irregular-shaped, brightly hued fabric, called False Hope or Moment of the Present, exemplify the power of perspective.






