Hong Kong cinema has always thrived on a certain kind of beautiful madness – precisely the quality local audiences cherish most. However, when the Closer Economic Partnership Arrangement (Cepa) opened the mainland Chinese market to Hong Kong co-productions in 2004, cross-border film collaborations surged.
Hong Kong filmmakers zealously partnered with mainland companies, drawn by bigger budgets, lower production costs and the prospect of reaping financial rewards from a massive new audience. But those opportunities came at a price.
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