It is a deliciously metafictional irony that the vendetta in We Are Born Good ignites because a protagonist refuses to eat beef. Playing like a gentler Hong Kong reimagination of the Netflix series Beef, the film charts how a petty argument between two strangers spirals into a life-altering feud.
Beyond this shared premise, audiences will find an entertaining and almost cathartic comedy of errors, trading the race and class hostilities of its American counterpart for an intimately observed melodrama.
