
On the plus side, the lush, atmospheric score by Tian Mi (composer of The Butterfly Lovers) cleverly incorporates traditional Chinese instruments. The visuals are stunning, with Jonathan Wong’s outstanding sets, including an awe-inspiring giant Buddha head, well-imagined costumes by Dieuweke Van Reij and video by Dan Fong making effective use of the auditorium and stage. The final image of Guanyin descending from heaven is a dazzling coup de theatre.
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