“I wasn’t consciously stepping away from Hong Kong film,” he says in an interview with the South China Morning Post at the New York Asian Film Festival, where he received the Best from the East Award.
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“I wasn’t consciously stepping away from Hong Kong film,” he says in an interview with the South China Morning Post at the New York Asian Film Festival, where he received the Best from the East Award.
“Coming back for Cold War 1994 felt great, because that’s where I cut my teeth. Seeing all these familiar faces just a bit older was a really nice thing. I love all the Hong Kong traditions, like we don’t have a trailer; we just have a rice box for lunch. It was really cool to go back.”

“It’s been a minute since we’ve seen a film with such a large scope,” Wu says, noting that the film expands beyond the police force to involve the whole city.
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