Why Danny Lee’s best police movie isn’t The Killer, but his own Law with Two Phases

Why Danny Lee’s best police movie isn’t The Killer, but his own Law with Two Phases


For decades, the quintessential image of a Hong Kong big-screen detective was defined by a familiar face sporting signature braces and a gun holster: Danny Lee Sau-yin.

The actor and filmmaker achieved international fame playing the policeman who bonds with Chow Yun-fat’s good-hearted hitman in John Woo Yu-sum’s legendary action epic The Killer (1989), and he often feels typecast by his success in Woo’s smash hit.
Lee built a career playing police officers – ultimately donning the uniform across dozens of his many films – but The Killer and his turn as a gang boss in Ringo Lam Ling-tung’s 1987 classic City on Fire remain his most famous works.
Chow Yun-fat (left) and Danny Lee in a still from City on Fire (1987). Photo: courtesy of Hong Kong Film Archive
Chow Yun-fat (left) and Danny Lee in a still from City on Fire (1987). Photo: courtesy of Hong Kong Film Archive

Yet, Lee put in his most nuanced performance in a lesser-seen project: 1984’s Law with Two Phases (or Law with Two Faces), which he also co-wrote and directed. Playing a conflicted detective trying desperately to do the right thing, Lee was named best actor at both the 1984 Golden Horse Awards in Taiwan and the 1985 Hong Kong Film Awards.




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