
Watching them enter one of the exclusive terraces of the Palais des Festivals et des Congres in Cannes, where Koreeda’s film debuted at the French resort city’s annual film festival last month, it is easy to understand the online commotion brought about by this curveball match-up.
Omnipresent on Japanese magazine covers and advertising billboards, Ayase arrives in a striped, multilayered designer outfit clearly unsuited for the heatwave sweeping across France. This does not concern Yamamoto, who turns up in a snappy T-shirt and trousers.
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