Before he became a film festival darling with Isabella (2006) and defined a generation’s romantic cynicism with Love in a Puff (2010), writer-director Pang Ho-cheung was a published novelist injecting a much-needed dose of dark satire into a flagging Hong Kong film industry in the early 2000s.
Emerging in an era when producers largely demanded formulaic dollops of action, melodramatic romance or sex, Pang’s first two directorial efforts cut through the commercial noise, signalling the arrival of a distinctly irreverent mind.
To satisfy these commercial constraints without sacrificing his satirical voice, the first-time director set his witty and original black comedy You Shoot, I Shoot in the world of a hitman – a high-stakes scenario that guaranteed the required action elements while effortlessly securing financial backing.
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