For a fleeting moment after Trainspotting came out, Ewan McGregor felt like a rock star.
It was not his first significant project; it was not even his first film with director Danny Boyle. And he was, in his words, fairly arrogant and cocksure at the time. But that kinetic film about four heroin addicts in late-1980s Scotland was and remains defining – in his career, in the culture and in his understanding of what true artistic satisfaction can feel like.
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