In this Tanglin townhouse, sophistication meets childhood joy

In this Tanglin townhouse, sophistication meets childhood joy


SINGAPORE – Designed for an international family with two children, this three-storey residence layers sculptural lighting, natural stone and bespoke carpentry with playful features such as a slide and climbing wall.

Spaces for work and creativity sit alongside serene retreats for parents and grandparents, making the 6,300 sq ft Tanglin townhouse a refined yet relaxed place where connection spans generations.

The courtyard is framed by vertical lines and an olive tree.

The courtyard is framed by vertical lines and an olive tree.

PHOTO: WINSTON CHUANG

The entryway opens into a soaring courtyard where an olive tree rises against light-washed fins. Elliot James Interiors founder and chief executive Elliot Barratt describes this as a deliberately dramatic first impression that anchors the home.

“We said: ‘This has to become a central feature of the design’,” says Mr Barratt, whose company has offices in Singapore, Dubai and Britain.

With natural stone underfoot and shadows dancing across the courtyard walls, the entry sequence sets the tone for a home that is both playful and polished.

Vertical fins and uplighting create a sense of drama in the courtyard.

Vertical fins and uplighting create a sense of drama in the courtyard.

PHOTO: WINSTON CHUANG

The open-plan living area is a family-oriented social hub with curves and mood lighting. The dining area sits behind it, adorned with a sculptural floating canopy that Mr Barratt likens to a cloud.

The adjoining kitchen, originally a cramped cluster of wet and dry zones, was strategically reconfigured to maximise space and openness. The wet kitchen now sits behind doors, while the yard has been relocated to the basement.

Each zone – the lounge, dining area and kitchen – has been defined by subtle ceiling recesses and changes in flooring.

The kitchen’s wet zone is concealed behind doors so it does not disrupt the flow of the living and dining area.

The kitchen’s wet zone is concealed behind doors so it does not disrupt the flow of the living and dining area.

PHOTO: WINSTON CHUANG

Mr Barratt is proudest of the children’s playroom in the basement, a vibrant two-level area that thrums with colour and movement.

A graffiti wall bursts with energy, forming a backdrop for a rope-netted mezzanine nook where the children can climb, perch and read. A custom-built slide adds a rush of fun, while floor-to-ceiling storage hides the kids’ toys and art supplies.

An activity table and slide sit at the heart of the children’s playroom.

An activity table and slide sit at the heart of the children’s playroom.

PHOTO: WINSTON CHUANG

Climbing frames and nets are also present in the children’s bedrooms upstairs. The design team kept the palette here minimal, layering in just enough colour and features to spark joy without overwhelming the space.

A climbing net with safety padding turns one child’s bedroom into an adventure zone.

A climbing net with safety padding turns one child’s bedroom into an adventure zone.

PHOTO: WINSTON CHUANG

The second of the children’s bedrooms is lined with yellow shelves and a climbing wall.

The second of the children’s bedrooms is lined with yellow shelves and a climbing wall.

PHOTO: WINSTON CHUANG

A recurring motif throughout the townhouse is the vertical line, seen in the bespoke pocket doors which open up the home in a sequence of dramatic double-width entrances.

Bespoke pocket doors create a sense of grandeur.

Bespoke pocket doors create a sense of grandeur.

PHOTO: WINSTON CHUANG

Beyond one set of doors lies the home owners’ design studio, a creative workroom with bespoke shelving and clean lines for organisation and productivity.

The creative suite is connected to the master bedroom.

The creative suite is connected to the master bedroom.

PHOTO: WINSTON CHUANG

Through another pair of pocket doors is the master bedroom: a serene retreat with soft pendant lighting, large Roman blinds and a private terrace – designed almost like an outdoor extension of the bedroom, with dappled light and shadow playing upon the stone walls – that connects to the estate’s communal pool via a set of stone steps.

The master bedroom opens directly to the terrace, with natural light filtering through layers of drapery.

The master bedroom opens to the terrace, with natural light filtering through layers of drapery.

PHOTO: WINSTON CHUANG

The master bathroom was transformed. Mr Barratt added tinted glass for the shower and WC to provide privacy, while large-format tiles bring refinement to the floor and walls. Black fixtures punctuate the neutral palette of textured wood cabinetry, cement-like wall tiles and crisp stone planes.

Tinted-glass partitions add privacy to the master bathroom.

Tinted-glass partitions add privacy to the master bathroom.

PHOTO: WINSTON CHUANG

Nearby, a vanity wall, with backlit mirrors and integrated lighting, casts a soft glow across the surfaces. This flows into a dedicated make-up and dressing zone, which then transitions into the wardrobe area.

The bathroom is next to the wardrobe, so the owners can go from grooming to dressing with ease.

The bathroom is next to the wardrobe, so the owners can go from grooming to dressing with ease.

PHOTO: WINSTON CHUANG

The renovation took about 14 months and unfolded in distinct phases. “We spent a significant amount of time planning. The build was around eight months and design was maybe four months, plus landscaping,” says Mr Barratt.



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