The records are clear and complete: about 300 years ago, a Huang clan from just across the Tan River got the idea to start their own village here, tucked into one of the river’s curves with Baizu mountain at its back. Hiring a feng shui master from Jiangxi province to lay it out, they built grey brick houses in a tight grid, with dragon-back or phoenix-crest ridges, surrounded by dense bamboo groves. Acres of fruit orchards were planted outside the village and a fish pond dug in front. A few hundred years later, the Guan clan moved in and built their own village nearby. It was typical Guangdong countryside life, in a particularly beautiful and well-ordered corner of Taishan, known as Toisan in Cantonese.
Over the past century, these villages and the broader region to which they belong have been shaped by cultural currents that run across the world and back. Anthropologists consider the people of Chaoshan, another base of emigration from Guangdong, to have an “export culture”, meaning that when residents emigrated, mainly to Southeast Asia, they set up their communities, temples, buildings and societies to mirror their lives back home. By contrast, Taishan had an “import culture”, where returnees brought touches of overseas culture back home with them. They used Western architectural styles, dressed in wool suits, installed Western flush toilets and cast-iron bathtubs, and incorporated English words into the dialect.







