Li Yi-fan’s bizarre digital ‘puppet’ critiques a screen-obsessed world at Venice Biennale

Li Yi-fan’s bizarre digital ‘puppet’ critiques a screen-obsessed world at Venice Biennale


Li Yi-fan is turning heads in Italy, where his bizarre take on the digital self-portrait represents Taiwan at the 61st edition of the Venice Biennale.

The video artist’s digital avatar – or “puppet”, as Li calls it – is impossible to unsee. It is naked – genitals obscured – with plaster-like skin, and is hairless and cloudy-eyed. It is not just physically crude but verbally vulgar and provocative.




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