{"id":97254,"date":"2026-11-03T09:50:07","date_gmt":"2026-11-03T01:50:07","guid":{"rendered":"https:\/\/sgbuzz.com\/?p=97254"},"modified":"2026-11-03T09:50:07","modified_gmt":"2026-11-03T01:50:07","slug":"in-singapore-for-sgiff-kiko-mizuhara-talks-acting-music-and-vintage-violence","status":"publish","type":"post","link":"https:\/\/sgbuzz.com\/?p=97254","title":{"rendered":"In Singapore for SGIFF, Kiko Mizuhara talks acting, music and Vintage Violence"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div>\n<p class=\"text-primary article-summary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">SINGAPORE &#8211; Kiko Mizuhara has been hoovering up creative credits all year.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">In September, the Japanese American model-actress-entrepreneur added one more hyphen, musician, to her already crowded handle when she released her debut single Feelin Wee, teasing a full album release in 2027. In November, she is opening a cafe in Tokyo\u2019s trendy Setagaya ward.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">In between, she has been promoting her latest film and first project with an American director, Vintage Violence. The pulpy crime comedy starring Mizuhara as a disaffected model-hostess looking to cash out on a bag of antique jeans <!-- -->made its Asian premiere on Nov 1, closing out the <a href=\"https:\/\/www.straitstimes.com\/life\/entertainment\/the-assassins-director-honoured-to-open-sgiff-despite-calls-to-drop-controversial-film?ref=inline-article\" rel=\"noopener\" class=\"gap-x-04 items-center inline text-primary-60 select-auto\" aria-label=\"link\" target=\"_blank\" data-testid=\"custom-link\"><span class=\"inline font-tertiary-body-baseline-regular\" data-testid=\"typography-test-id\">37th Singapore International Film Festival<\/span><\/a>.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Mizuhara, co-star Cole Sprouse and director Eugene Kotlyarenko flew in for the screening.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">In a short tete-a-tete with The Straits Times the day before, Mizuhara said the \u201cstrange\u201d and \u201cmagical\u201d parallels she shared with her character, Izumi \u2013 down to her birthplace in Texas \u2013 reeled her into the role after a two-year break from acting.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">\u201cIn my 20s, I worked on a lot of films and TV series, mainly in Japan and Asia. I learnt a lot from forcing myself to play a character that was different from me, and I did a lot of projects so I could learn and grow as an actor,\u201d said the 36-year-old. \u201cBut after experiencing Covid-19, I realised I don\u2019t wanna do that any more. I just wanna work on things I purely love and am passionate about.\u201d<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Now, \u201crefreshed and rewired\u201d, she is ditching<!-- --> jobs she \u201cshould\u201d do <!-- -->for ones that feel like play.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">It helped that the script for the denim caper was funny, she added. The action follows American livestreamer and urban explorer Carter (Sprouse) as he travels to Japan on his fan Izumi\u2019s urging, to sell the<!-- --> circa <!-- -->19th century Levi\u2019s jeans he finds in an abandoned mineshaft.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">An absurd number of bodies pile up as Izumi\u2019s scummy host boyfriend makes off with the loot, <!-- -->crossing<!-- --> a denim-crazy yakuza boss and an <!-- -->exiled gangster<!-- --> with a Fentanyl-spritzing <!-- -->prosthetic <!-- -->finger<!-- --> along the way<!-- -->.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">The chaotic plotting prompted Mizuhara to make a mindmap of Izumi\u2019s relationships and motivations, a first in her 16-year screen career.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">\u201cI didn\u2019t want to forget certain things that were in (the character). I was trying to make sure that (she) had a proper connection with Carter, with her boyfriend \u2013 like what made her fall in love with this guy because he\u2019s kind of a piece of sh*t. Even though the movie doesn\u2019t show her full background, it was important for me to connect all those dots to play her,\u201d said Mizuhara.<\/p>\n<p><iframe class=\"responsive-iframe-base instagram instagram-embed\" title=\"instagram embed\" scrolling=\"no\" src=\"https:\/\/www.instagram.com\/p\/sgiffest\/embed\/captioned\/?omitscript=true\" allowfullscreen=\"\" allow=\"accelerometer;falseclipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share;\" loading=\"eager\" data-testid=\"responsiveIframe\"><\/iframe><\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">For the record, the million-dollar asking price for the old Levi\u2019s in the film is a fair estimate. The rare denim \u201cotaku\u201d (Japanese for nerd) <!-- -->market <!-- -->really is that intense, she added.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Retro tech \u2013 old DVDs, CDs, videotapes and records \u2013 was always more her speed, but since her house in Los Angeles burned down in the wildfires of 2025, Mizuhara has moved on to collecting more ephemeral and space-saving incense. She now lives in Tokyo, where most of Vintage Violence\u2019s blood-splashing antics are set.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">One of the movie\u2019s wittier points is <!-- -->the comic irony of the Japanese love for vintage Americana chafing with <!-- -->present<!-- -->-day antipathy for bumbling Americans. \u201cIt\u2019s a love-hate thing,\u201d said Mizuhara. \u201cJapanese people have very specific rules. We cannot do and say certain things but when people from other cultures come, they will mess up.\u201d<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">This can be confusing for the <!-- -->Japanese <!-- -->people. \u201cBut I think messing up a bit is good sometimes. I can see both sides, so it\u2019s funny for me. It\u2019s good to be in the middle,\u201d she added.<\/p>\n<h2 class=\"font-primary-headline-md-semibold\" data-testid=\"article-subhead-test-id\">Beyond modelling<\/h2>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">With two more movies, a pop album and a coffee shop branded after her wellness label, Kiiks, imminent, Mizuhara has made leaps since her teen modelling start. The serial side-quester also does creative direction for legendary Japanese musician Harumi Hosono of Yellow Magic Orchestra.<\/p>\n<figure class=\"portrait inline-media-wrapper\" style=\"--aspect-article-portrait:1140 \/ 1710\" data-testid=\"inline-media-test-id\">\n<div class=\"flex flex-col items-start relative w-fit\"><picture><source media=\"(max-width: 480px)\" srcset=\"https:\/\/cassette.sphdigital.com.sg\/image\/straitstimes\/404127b3806c95e90ad1d80ec8dfbdbe0e9636db767a6bf0d137152a363ead9d?w=480\"\/><source media=\"(min-width: 481px) and (max-width: 720px)\" srcset=\"https:\/\/cassette.sphdigital.com.sg\/image\/straitstimes\/404127b3806c95e90ad1d80ec8dfbdbe0e9636db767a6bf0d137152a363ead9d?w=720\"\/><source media=\"(min-width: 721px and max-width: 3999px)\" srcset=\"https:\/\/cassette.sphdigital.com.sg\/image\/straitstimes\/404127b3806c95e90ad1d80ec8dfbdbe0e9636db767a6bf0d137152a363ead9d?w=900\"\/><source media=\"(min-width: 4000px)\" srcset=\"https:\/\/cassette.sphdigital.com.sg\/image\/straitstimes\/404127b3806c95e90ad1d80ec8dfbdbe0e9636db767a6bf0d137152a363ead9d\"\/><img decoding=\"async\" src=\"https:\/\/cassette.sphdigital.com.sg\/image\/straitstimes\/404127b3806c95e90ad1d80ec8dfbdbe0e9636db767a6bf0d137152a363ead9d\" alt=\"Vintage Violence stars Mizuhara as a disaffected model-hostess looking to cash out on a bag of antique jeans.\" class=\"aspect-portrait flex items-start shrink-0 portrait article-portrait object-contain mobile:w-auto tablet:w-auto\" data-testid=\"image-test-id\" loading=\"lazy\" fetchpriority=\"auto\"\/><\/picture><\/div><figcaption class=\"mobile:mx-16 tablet:mx-00 pt-08 pb-16\">\n<p class=\"inline text-secondary font-secondary-captions-baseline-regular\" data-testid=\"inline-media-caption-test-id\">Vintage Violence stars Mizuhara as a disaffected model-hostess looking to cash out on a bag of antique jeans.<\/p>\n<p class=\"inline text-tertiary font-secondary-captions-baseline-regular\" data-testid=\"inline-media-credit-test-id\"> <!-- -->ST PHOTO: ARIFFIN JAMAR<\/p>\n<\/figcaption><\/figure>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Said Mizuhara: \u201cI have to be honest, the commercial (modelling) stuff is kind of exhausting because it feels like work. But I realised recently that I love playing a character even when I\u2019m modelling. I don\u2019t really like posing but when I pose in character, it\u2019s easy.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">\u201cI want to live in that fantasy.\u201d<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Though she stopped short of naming a favourite medium, acting has become more interesting to her with age. \u201cI\u2019m addicted to the feeling of switching into a character. Your whole body feels it,\u201d she said.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Her future in music, <!-- -->new ground <!-- -->for Mizuhara, is less certain. She made her forthcoming album with ex-boyfriend, American composer John Caroll Kirby, while they were still dating. It was, as is her style, \u201cvery organic\u201d, she said. He would bring a keyboard everywhere they went, plink out tunes and ask her to sing.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">\u201cIt\u2019s sad that we\u2019re not together anymore, but it\u2019s kind of beautiful that we were able to create something. It\u2019s almost like a time capsule. The music is all about our relationship, and the feelings and memories we went through. It\u2019s like a souvenir from the universe,\u201d she said.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">The idea might strike some as self administration of salt to a wound. But Mizuhara has an artist\u2019s stance: \u201cI think it\u2019s more painful to not show what we created.\u201d<\/p>\n<\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><br \/>\n<center><br \/>\n<br \/><a href=\"https:\/\/www.straitstimes.com\/life\/style\/i-want-to-live-in-a-fantasy-japanese-american-it-girl-kiko-mizuhara-prefers-acting-to-posing\" target=\"_blank\" rel=\"noopener\">Read Full Article At Source <\/a><br \/>\n<center\/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SINGAPORE &#8211; Kiko Mizuhara has been hoovering up creative credits all year. In September, the Japanese American model-actress-entrepreneur added one more hyphen, musician, to her&#8230;<\/p>\n","protected":false},"author":1,"featured_media":97255,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[2611],"tags":[],"class_list":["post-97254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buzz-headlines","wpcat-2611-id"],"_links":{"self":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/97254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=97254"}],"version-history":[{"count":0,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/97254\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/media\/97255"}],"wp:attachment":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=97254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=97254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=97254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}