{"id":91507,"date":"2026-10-09T12:03:01","date_gmt":"2026-10-09T04:03:01","guid":{"rendered":"https:\/\/sgbuzz.com\/?p=91507"},"modified":"2026-10-09T12:03:01","modified_gmt":"2026-10-09T04:03:01","slug":"cupertino-season-1-premiere-review","status":"publish","type":"post","link":"https:\/\/sgbuzz.com\/?p=91507","title":{"rendered":"Cupertino Season 1 Premiere Review"},"content":{"rendered":"


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Full spoilers follow for the season premiere of CBS’ <\/em>Cupertino<\/em>.<\/em><\/p>\n

The world is a little bit easier to take when there\u2019s a topical drama by Robert and Michelle King on our televisions. From thorny legal battles (The Good Wife, The Good Fight) to religious conundrums (Evil), the Kings have tackled some of the more complex issues in modern life with humor, pathos, and realism. Gratefully, they\u2019re back to help us parse the current tsunami of tech threats from pervasive AI to infringed privacy with Cupertino.<\/p>\n

“Michael & Olivia” opens with Silicon Valley lawyers Michael Price (Mike Colter) and Olivia Siffre (Rachel Keller) separately getting unceremoniously canned by their tech start-up employer, S-Talk. Michael is an equity co-founder, while Olivia is a junior lawyer one year out of law school, but getting career-dumped is today\u2019s great equalizer. As they awkwardly commiserate on the curb and share some genuine admiration for one another\u2019s work, Olivia throws him an information bone because he\u2019s always been nice to her. While working with owner Richard Everett (Will Brill), she heard him asking someone how to fire an equity partner for cause while keeping their money\u2026 meaning Michael was unlawfully pushed out. <\/p>\n

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From that little moment of allegiance blooms the duo who are the beating heart of Cupertino. Colter\u2019s been a ride-or-die actor for the Kings going back to The Good Wife, and here he brings smarts, charisma, and simmering sex appeal to Michael Price. Though this character wears tailored suits and comes from a prestigious family of lawyers, Michael is a believer in the Davids battling these tech Goliaths, which keeps him grounded and empathetic. The yin to his yang is Rachel Keller\u2019s Olivia, who is shrewd yet green. Post law school, she migrated straight to Silicon Valley from the sheltered arms of her rural Christian family, so there\u2019s plenty for her to navigate as she starts swimming with the sharks. Fresh from the series Tokyo Vice<\/u>, Keller was also stellar in FX\u2019s Legion, <\/u>so it’s exciting to see her go toe-to-toe with not only Colter but Cupertino\u2019s ever-expanding ensemble of top-notch recurring actors to come, including Girls5eva alums Busy Philipps and Ren\u00e9e Elise Goldsberry, Joe Morton, and Jackie Earle Haley.<\/p>\n

If you\u2019re an existing fan of the Kings\u2019 work, Cupertino feels a little like comfort television because it utilizes many of their signature storytelling elements: ripped-from-the-headline cases; the casting of theater-great character actors; storylines that breathlessly twist on a dime; and their ability to make serious subjects comprehensible, weird, and entertaining. They\u2019ve even 2.0\u2019d their The Good Fight lady fixer character Marissa Gold, updating her as Michael and Olivia\u2019s Gen Z street-smart office manager, Christy Palladino (Ella Stiller). <\/p>\n

Cupertino reminds us that there\u2019s no shame in being a broadcast procedural when you\u2019re working at the level of the Kings and their collaborators.\u00a0\u201c<\/span><\/span><\/div>\n

Yet familiar doesn\u2019t mean this is a dumbed-down procedural by any means. The Cupertino pilot alone tackles tech industry sexual harassment and equity disparity, stealing personhood for LLMs, and the fragility of tech bros with their shell games and unethical smoke screens. It\u2019s all presented with wit and intelligence, and through characters who bring us into this alien world of stealth technology and can decipher this industry that’s moving too fast and breaking things with seeming impunity. Cupertino reminds us that there\u2019s no shame in being a broadcast procedural when you\u2019re working at the level of the Kings and their collaborators. <\/p>\n

If The Good Wife and The Good Fight could give me an understanding of Constitutional law and systemic governmental flaws, I can\u2019t wait to see what the Kings school me on with Cupertino. <\/p>\n

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