{"id":86883,"date":"2026-09-22T09:02:59","date_gmt":"2026-09-22T01:02:59","guid":{"rendered":"https:\/\/sgbuzz.com\/?p=86883"},"modified":"2026-09-22T09:02:59","modified_gmt":"2026-09-22T01:02:59","slug":"bukhara-biennial-spearheads-cultural-blossoming-of-the-city-as-well-as-the-wider-uzbekistan","status":"publish","type":"post","link":"https:\/\/sgbuzz.com\/?p=86883","title":{"rendered":"Bukhara Biennial spearheads cultural blossoming of the city as well as the wider Uzbekistan"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div id=\"\">\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">It might sound and look like an odd juxtaposition: chef-nun Jeong Kwan, of Netflix documentary series <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Chef\u2019s Table<\/em> fame, unearthing kimchi she has been fermenting for 10 weeks next to a new installation by British sculptor Antony Gormley.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Yet, set in Bukhara\u2019s 16th century Khoja Kalon Mosque, the two made perfect sense as collaborative highlights of the closing ceremony of the inaugural Bukhara Biennial, which ran from September 5 to November 23 last year.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">A contemporary art festival, the Bukhara Biennial was conceived by the Uzbekistan Art and Culture Development Foundation (ACDF) and forms part of a broader plan to revitalise Uzbekistan\u2019s living heritage as well as establish a permanent cultural district in the historic city. Its first theme, \u201cRecipes for Broken Hearts\u201d, was inspired by Uzbekistan\u2019s national dish, plov. A hearty meal of rice layered with meat, spices and vegetables, the ideas of healing and restoration imbued in plov were the conceptual crux of the gastronomy, art, craft, architecture, music and performance on display.<\/p>\n<div class=\"image-inline-container e1a5rv550 css-1llrc1m e1yqhwb40\" data-qa=\"Component-renderMap-StyledDiv\">\n<div class=\"image-inline caption e1fvabeq0 css-19sk4h4 ea9pn0s0\" data-qa=\"Component-Container\">\n<figure class=\"image-inline caption ea9pn0s1 css-d3pq8q e1gf69pb0\" data-qa=\"ArticleImage-ArticleImageContainer\">\n<div data-qa=\"ArticleImage-handleRenderImage-ImageContainer\" class=\"css-bjn8wh e1gf69pb3\"><img decoding=\"async\" alt=\"Antony Gormley\u2019s sculptural installation, Close (2025), made in collaboration with Temur Jumaev and local brickmakers. Photo: courtesy Uzbekistan Art and Culture Development Foundation\" data-qa=\"BaseImage-handleRenderImage-StyledImage\" class=\"e1gf69pb2 css-6ikqhs e445x7d0\" loading=\"lazy\" src=\"https:\/\/img.i-scmp.com\/cdn-cgi\/image\/fit=contain,width=1024,format=auto\/sites\/default\/files\/d8\/images\/canvas\/2026\/09\/14\/76da9fc0-ff91-4329-979a-ae23be09dd93_741ac6ff.jpg\" title=\"Antony Gormley\u2019s sculptural installation, Close (2025), made in collaboration with Temur Jumaev and local brickmakers. Photo: courtesy Uzbekistan Art and Culture Development Foundation\"\/><\/div><figcaption data-qa=\"ArticleImage-DescriptionContainer\" class=\"css-1bj5zno e1gf69pb1\">Antony Gormley\u2019s sculptural installation, Close (2025), made in collaboration with Temur Jumaev and local brickmakers. Photo: courtesy Uzbekistan Art and Culture Development Foundation<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Gormley\u2019s <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Close<\/em> (2025) \u2013 created from mud bricks with Uzbek artist Temur Jumaev \u2013 channelled the theme by exploring vulnerability, communal recovery and a reconnection to ancestral roots. Jeong Kwan\u2019s kimchi was woven into a collaborative culinary performance with Indian artist Subodh Gupta. Blending Korean temple food with Bihari fare, the hybrid meal was served inside Gupta\u2019s pavilion-like installation, <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Salt Carried With the Wind<\/em> (2024-25), situated outside the Ayozjon Caravanserai, one of four in an interconnected complex, on a site once occupied by Bukhara\u2019s spice market.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">All through the event, the locations were significant, as the Bukhara Biennial was designed to house site-specific installations, soundscapes and performances not in purpose-built, white-cube galleries, but in restored or adapted caravanserais (merchant inns), madrasas (educational institutions), trading domes and mosques. While fellow Silk Road stopover Samarkand and the national capital, Tashkent, are undergoing their own cultural transformations, this preservation-first approach is what sets Bukhara apart.<\/p>\n<\/div>\n<p><br \/>\n<center><br \/>\n<br \/><a href=\"https:\/\/www.scmp.com\/postmag\/culture\/article\/3367454\/bukhara-biennial-spearheads-cultural-blossoming-city-well-wider-uzbekistan?utm_source=rss_feed\" target=\"_blank\" rel=\"noopener\">Read Full Article At Source <\/a><br \/>\n<center\/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It might sound and look like an odd juxtaposition: chef-nun Jeong Kwan, of Netflix documentary series Chef\u2019s Table fame, unearthing kimchi she has been fermenting&#8230;<\/p>\n","protected":false},"author":1,"featured_media":86884,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[4840],"tags":[30414,19601,30413,540,7812,30415,24641,16104],"class_list":["post-86883","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-travel-globetrotting","tag-biennial","tag-blossoming","tag-bukhara","tag-city","tag-cultural","tag-spearheads","tag-uzbekistan","tag-wider","wpcat-4840-id"],"brizy_media":[],"_links":{"self":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/86883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=86883"}],"version-history":[{"count":0,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/86883\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/media\/86884"}],"wp:attachment":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=86883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=86883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=86883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}