{"id":73687,"date":"2026-08-02T19:23:07","date_gmt":"2026-08-02T11:23:07","guid":{"rendered":"https:\/\/sgbuzz.com\/?p=73687"},"modified":"2026-08-02T19:23:07","modified_gmt":"2026-08-02T11:23:07","slug":"what-makes-1981-cult-classic-the-imp-one-of-hong-kongs-most-terrifying-horror-films","status":"publish","type":"post","link":"https:\/\/sgbuzz.com\/?p=73687","title":{"rendered":"What makes 1981 cult classic The Imp one of Hong Kong\u2019s most terrifying horror films?"},"content":{"rendered":"<p><br \/>\n<br \/><img decoding=\"async\" src=\"https:\/\/cdn.i-scmp.com\/sites\/default\/files\/styles\/1280x720\/public\/d8\/images\/canvas\/2026\/07\/30\/b0e472c9-0373-439b-a2fe-d2e602b4a65f_62d52a69.jpg?itok=w_ECiMIr&amp;v=1785400289\" \/><\/p>\n<div xmlns:default=\"http:\/\/www.w3.org\/2000\/svg\" id=\"\">\n<div datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1xdhyk6 ec74h0k0\">Hong Kong audiences have always preferred their horror mixed rather than straight, with local producers traditionally combining scares with action, kung fu and comedy, or softcore sex and bloody violence \u2013 as seen in the adult <span data-qa=\"Component-Text\" class=\"css-0 ef9u0v00\">Category III shockers<\/span> of the early 1990s.<\/div>\n<div datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1xdhyk6 ec74h0k0\">Consequently, surprisingly few pure horror films have been made locally. Since the 1998 mega-success of the <span data-qa=\"Component-Text\" class=\"css-0 ef9u0v00\">J-horror sensation <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Ring<\/em><\/span> in Hong Kong, viewers have largely looked to Japan for their Asian scares.<\/div>\n<div datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1xdhyk6 ec74h0k0\">This is why 1981\u2019s <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">The Imp<\/em>, directed by <span data-qa=\"Component-Text\" class=\"css-0 ef9u0v00\">Hong Kong New Wave<\/span> filmmaker Dennis Yu Wan-kwong, stands out. It blends elements of Western horror classics <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Rosemary\u2019s Baby<\/em>, <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">The Exorcist<\/em> and <span data-qa=\"Component-Text\" class=\"css-0 ef9u0v00\"><em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">The Omen<\/em><\/span> with Taoist beliefs to create a thoroughly modern shocker.<\/div>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">The contemporary, urban setting \u2013 mainly filmed in United Centre, a tower block in Admiralty \u2013 distinguishes it from most rural Hong Kong ghost stories. Furthermore, Yu eschews flatulent comedy sequences and incongruous action, opting to play it straight throughout.<\/p>\n<div xmlns:default=\"http:\/\/www.w3.org\/2000\/svg\" class=\"methode-html-wrapper oembed-wrapper e1a5rv550 css-1llrc1m e1yqhwb40\" data-qa=\"Component-renderMap-StyledDiv\">\n<div class=\"e2gky7d0 e1drg7e30 e1ciypty0 ehdmpxk0 css-1avyp1d e1hpd36k0\" data-qa=\"Component-Container\">\n<div class=\"e1hpd36k3 css-79hwxn e1x11wau0\" data-qa=\"SCMPYouTubeVideoFooter-VideoTitleContainer\"><default:svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"25\" viewbox=\"0 0 24 25\" fill=\"none\" data-qa=\"SCMPYouTubeVideoFooter-StyledVideoRecorder\" class=\"css-1nnwg93 e1x11wau1\"><default:path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M22 6.22926V18.4315L17.5463 13.9868V17.8655C17.5463 18.1618 17.4383 18.4248 17.2228 18.6531C17.0067 18.8829 16.7498 18.9967 16.4537 18.9967H3.13414C2.80989 18.9967 2.53968 18.8829 2.32425 18.6531C2.10808 18.4248 2 18.1618 2 17.8655V6.79519C2 6.49893 2.10808 6.23665 2.32425 6.00688C2.53968 5.77858 2.80989 5.66333 3.13414 5.66333H16.4537C16.7498 5.66333 17.0067 5.77858 17.2228 6.00688C17.4383 6.23665 17.5463 6.49893 17.5463 6.79519V10.674L22 6.22926Z\" fill=\"#001246\"\/><\/default:svg><\/p>\n<p>\u51f6\u699c\u9b54\u754c\u8f6c\u4e16\u9884\u544a\u7247 The Imp 1981<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Most importantly, Yu\u2019s feature is genuinely scary and never devolves into parody \u2013 a common failing of local shockers. The horror specialist once noted in an interview that filmmakers must first scare themselves to frighten an audience, an approach that clearly succeeded here.<\/p>\n<\/div>\n<p><br \/>\n<center><br \/>\n<br \/><a href=\"https:\/\/www.scmp.com\/lifestyle\/entertainment\/article\/3362382\/what-makes-1981-cult-classic-imp-one-hong-kongs-most-terrifying-horror-films?utm_source=rss_feed\" target=\"_blank\" rel=\"noopener\">Read Full Article At Source <\/a><br \/>\n<center\/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hong Kong audiences have always preferred their horror mixed rather than straight, with local producers traditionally combining scares with action, kung fu and comedy, or&#8230;<\/p>\n","protected":false},"author":1,"featured_media":73688,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[33],"tags":[1774,3692,4921,3569,2424,8813,5010,1308],"class_list":["post-73687","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bored-interesting","tag-classic","tag-cult","tag-films","tag-hong","tag-horror","tag-imp","tag-kongs","tag-terrifying","wpcat-33-id"],"_links":{"self":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/73687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=73687"}],"version-history":[{"count":0,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/73687\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/media\/73688"}],"wp:attachment":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=73687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=73687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=73687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}