Wild Rice<\/strong><\/h2>\n![\"Interior](\"https:\/\/citynomads.com\/wp-content\/uploads\/2026\/07\/Wild-Rice-Funan-1024x683.jpeg\")
Photo: Wild Rice<\/figcaption><\/figure>\nFounded by Ivan Heng in 2000, Wild Rice has grown into one of Singapore\u2019s most prominent theatre companies, known for productions that are unafraid to tackle local history, identity, and social issues with humour and heart. Since 2019, the company has had a permanent home at Funan, where its main venue, the Ngee Ann Kongsi Theatre, features a 358-seat thrust stage inspired by the Royal Shakespeare Company\u2019s Swan Theatre, that makes even the back row feel close to the action. A smaller studio space rounds out the venue, allowing for more intimate works alongside mainstage productions.\u00a0<\/p>\n
Wild Rice\u2019s programming spans original Singaporean works, reimagined classics, and family-friendly holiday musicals, often featuring local playwrights and performers. Beyond staging shows, the company runs youth and education programmes that introduce younger audiences to theatre. For anyone looking to dip into the local scene, it\u2019s a reliable starting point, with a season that usually has something for both first-timers and seasoned theatregoers.<\/p>\n
Address:<\/strong> 107 North Bridge Road, #04-08, Funan, Singapore 179105
Website: <\/strong>https:\/\/www.wildrice.com.sg<\/a>\u00a0<\/p>\n<\/div>\n\nThe Theatre Practice<\/strong><\/h2>\n![\"The](\"https:\/\/citynomads.com\/wp-content\/uploads\/2026\/07\/the-theatre-practice_singapore-1024x768.jpg\")
Photo: The Theatre Practice<\/figcaption><\/figure>\nSingapore\u2019s oldest professional bilingual theatre company, The Theatre Practice was co-founded in 1965 by cultural medallion recipients Kuo Pao Kun and Goh Lay Kuan. Over six decades, it has developed a body of work that spans original plays, musicals, classics, and experimental pieces, with a consistent thread of social consciousness running through its programming. The company produces in both English and Mandarin, making it a distinctive voice in a largely English-dominant theatre landscape. Under current Artistic Director Kuo Jian Hong, Practice has leaned further into playfulness and experimentation as a creative method, while maintaining its reputation for work that engages seriously with what it means to live in Singapore. Their home at 54 Waterloo Street also serves as an arts space open to the broader community.<\/p>\n
Address:<\/strong> 54 Waterloo Street, Singapore 187953
Website:<\/strong> practice.org.sg<\/a><\/p>\n<\/div>\n\nThe Necessary Stage<\/strong><\/h2>\nOne of Singapore\u2019s most respected non-profit theatre companies, The Necessary Stage was established in 1987 and is the only arts company in Singapore led by two Cultural Medallion recipients: founder and Artistic Director Alvin Tan, and Resident Playwright Haresh Sharma. The company is known for original, devised work built from research, improvisation, and collaboration rather than pre-written scripts, a process that has produced over a hundred plays staged in Singapore and abroad. TNS is also the organiser and curator of the annual Singapore Fringe Festival, bringing cutting-edge local and international work to Singapore audiences each year. Beyond mainstage productions, the company runs youth programmes, senior-oriented initiatives, and playwright development platforms that reflect a long-standing commitment to nurturing local talent at every level.<\/p>\n
Website:<\/strong> necessary.org<\/a><\/p>\n<\/div>\n\nCheckpoint Theatre<\/strong><\/h2>\n![\"Checkpoint](\"https:\/\/citynomads.com\/wp-content\/uploads\/2026\/07\/Checkpoint-Theatre_Singapore-1024x683.jpg\")
Photo: Checkpoint Theatre<\/figcaption><\/figure>\nEstablished in 2002, Checkpoint Theatre has built its identity around original Singapore writing, putting the playwright at the centre of everything it does. Led by Joint Artistic Directors Huzir Sulaiman and Claire Wong, the company produces works that are grounded in local experience but travel well, with past productions performing at international arts festivals and earning consistent recognition at the Straits Times Life! Theatre Awards. Checkpoint also runs an Associate Artists scheme that has launched a generation of Singapore playwrights, and its published play anthologies have become a quiet institution of their own. Productions tend to be intimate and emotionally precise, with writing that earns comparisons to the best contemporary drama anywhere in the region.<\/p>\n
Website:<\/strong> checkpoint-theatre.org<\/a><\/p>\n<\/div>\n\nTeater Ekamatra<\/strong><\/h2>\nTeater Ekamatra has been one of the most consistently compelling voices in Singapore theatre since its founding, with a focus on staging work that spotlights artists of diverse ethnicities and takes on socio-political subject matter head-on. Productions tend to be bold and formally inventive, and the company has earned multiple Straits Times Life! Theatre Awards across categories including Best Director, Best Actor, and Best Original Script. Ekamatra also invests significantly in developing the next generation of Malay and ethnic minority arts practitioners through programmes like its Playwright Mentorship Programme and the youth-focused merEKA. Under Artistic Director Shaza Ishak, the company has continued to push outward, with commissions from international arts festivals and a growing regional presence.<\/p>\n
Website:<\/strong> ekamatra.org.sg<\/a><\/p>\n<\/div>\n\nThe Finger Players<\/strong><\/h2>\nFounded in 1999, The Finger Players is Singapore\u2019s oldest contemporary puppetry theatre company and one of its most distinctive. Where many companies use puppetry as novelty, The Finger Players have built an entire artistic philosophy around it, fusing traditional and contemporary puppetry forms with other disciplines to create productions that are visually striking and often unexpectedly moving. Their work ranges from intimate outreach performances to full mainstage productions, and the company is also one of Singapore\u2019s most well-travelled, having toured to Africa, Europe, Asia, and Australia. Beyond staging shows, they run education and capability-building programmes, including The Maker\u2019s Lab for emerging artists. Based at ONE-TWO-SIX Cairnhill Arts Centre, the company performs at various venues across the island.<\/p>\n
Address:<\/strong> ONE-TWO-SIX Cairnhill Arts Centre, 126 Cairnhill Road, #03-01\/02, Singapore 229707
Website:<\/strong> fingerplayers.com<\/a><\/p>\n<\/div>\n\nSing\u2019Theatre<\/strong><\/h2>\nFounded in 2006 by French-Singaporean Nathalie Ribette, Sing\u2019Theatre occupies a distinctive corner of the local arts scene as a musical theatre specialist with a strong social mission. The company produces original musical revues that bring social conversations to the stage, often blending French sensibility with Singapore storytelling. But Sing\u2019Theatre is just as active beyond the stage: its community outreach programmes bring live music into hospitals across the island through ongoing partnerships with institutions including SGH and TTSH. The company also runs Sing\u2019Theatre Academy, offering singing, dance, and acting classes for adults and children. It is the kind of company that treats theatre less as an end in itself and more as a tool for connection.<\/p>\n
Website:<\/strong> singtheatre.com<\/a><\/p>\n<\/div>\n\nPangdemonium<\/strong><\/h2>\n![\"Pangdemonium](\"https:\/\/citynomads.com\/wp-content\/uploads\/2026\/07\/Pangdemonium_CRISPI-PANG-A-Mirror-1333_Crispian-Chan-1024x683.jpg\")
A Mirror by Pangdemonium. Photo: Crispian Chan<\/figcaption><\/figure>\nFounded by husband-and-wife team Adrian and Tracie Pang in 2010, Pangdemonium has built a reputation for staging emotionally charged, often challenging works that don\u2019t shy away from difficult subject matter. The company\u2019s programming tends toward contemporary plays and musicals drawn from international repertoire, chosen for their resonance with Singapore audiences, from intimate two-handers to full ensemble productions. Tracie Pang directs most of the company\u2019s mainstage work, with a track record of wringing out nuanced performances from her casts. What sets Pangdemonium apart is a consistency of quality and a clear point of view, shows are picked with intention, and it shows. Their annual Season Ticket offering has cultivated a loyal following of repeat theatregoers who return year after year.<\/p>\n
Website:<\/strong> pangdemonium.com<\/a><\/p>\n<\/div>\n\nSingapore Repertory Theatre<\/strong><\/h2>\n![\"Singapore](\"https:\/\/citynomads.com\/wp-content\/uploads\/2026\/07\/SRT_Myles-\u2013-Soulmate-in-a-Box-1024x819.jpeg\")
Myles \u2013 Soulmate in a Box. Photo: Singapore Repertory Theatre<\/figcaption><\/figure>\nFounded in 1993, Singapore Repertory Theatre (SRT) is one of the longest-running English-language theatre companies in the region and a fixture of Singapore\u2019s cultural landscape. The company stages a broad mix of mainstage productions ranging from internationally acclaimed musicals to straight plays, often bringing in global productions alongside homegrown work. SRT is also home to The Little Company, its dedicated children\u2019s theatre strand, and a Centre for Creative Learning that runs programmes for students, young adults, and educators. Their permanent home is KC Arts Centre along the Singapore River, a riverside venue that hosts both performances and community events throughout the year.<\/p>\n
Address:<\/strong> KC Arts Centre, 20 Merbau Road, Singapore 239035
Website:<\/strong> srt.com.sg<\/a><\/p>\n<\/div>\n\nDream Academy<\/strong><\/h2>\nDream Academy occupies a distinctly different corner of Singapore\u2019s theatre scene. Founded by Selena Tan in 2000, it is the city\u2019s leading privately owned commercial theatre company, known for original comedy and satire that consistently draws in first-time theatregoers alongside loyal regulars. The company is the creative force behind some of Singapore\u2019s best-known homegrown show brands, including the Dim Sum Dollies, Broadway Beng, and Crazy Christmas, productions that blend local humour, pop culture references, and a sharp sense of the absurd. It\u2019s approachable, unabashedly entertaining theatre that holds a mirror up to Singapore life without taking itself too seriously.<\/p>\n
Website:<\/strong> dreamacademy.com.sg<\/a><\/p>\n
\nSingapore\u2019s theatre companies are spread across the island and perform at a rotating mix of dedicated arts venues, converted spaces, and civic theatres, so it\u2019s worth checking each company\u2019s website directly for upcoming productions and ticketing. Most companies also offer subscription or membership schemes that give priority access to tickets and occasional behind-the-scenes perks, a worthwhile investment if you plan to go more than once a year. For more on Singapore\u2019s arts and culture scene, head to our Culture<\/a> section.<\/p>\n\nFrequently Asked Questions (FAQ)<\/strong><\/summary>\n\nWhat are the best theatre companies in Singapore?<\/strong><\/strong> <\/p>\nSingapore has a vibrant theatre scene with companies spanning a wide range of styles and genres. Some of the most well-regarded include Wild Rice, Pangdemonium, Singapore Repertory Theatre, The Necessary Stage, and Checkpoint Theatre, each with a distinct identity and programming focus.<\/p>\n<\/p><\/div>\n
Where can I watch theatre in Singapore?<\/strong><\/strong> <\/p>\nTheatre performances in Singapore take place across a range of venues, including Wild Rice at Funan, KC Arts Centre along the Singapore River, Victoria Theatre, Esplanade, and various black box spaces island-wide. Many companies perform at different venues depending on the production, so checking individual company websites is the best way to find current show locations.<\/p>\n<\/p><\/div>\n
Are there English-language theatre companies in Singapore?<\/strong><\/strong> <\/p>\nYes, the majority of Singapore\u2019s professional theatre companies produce work primarily in English. Singapore Repertory Theatre, Wild Rice, Pangdemonium, Checkpoint Theatre, and Dream Academy all stage English-language productions. The Theatre Practice is notable for producing work in both English and Mandarin.<\/p>\n<\/p><\/div>\n
How do I buy tickets for theatre shows in Singapore?<\/strong><\/strong> <\/p>\nTickets for most Singapore theatre productions can be purchased directly through each company\u2019s website or via SISTIC, Singapore\u2019s main ticketing platform. Some companies also offer season tickets or membership programmes that provide early or priority access to shows.<\/p>\n<\/p><\/div>\n
Is there theatre in Singapore suitable for children and families?<\/strong><\/strong> <\/p>\nYes, several Singapore theatre companies produce work specifically for younger audiences. Singapore Repertory Theatre\u2019s The Little Company stages dedicated children\u2019s productions, Wild Rice puts on an annual family-friendly holiday musical, and Sing\u2019Theatre runs youth programmes and performances accessible to families.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/details>\n<\/div>\n<\/div>\n
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\nSingapore\u2019s theatre scene is smaller than its ambitions. Across a handful of dedicated companies, the island punches well above its weight, producing original work that…<\/p>\n","protected":false},"author":1,"featured_media":65678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[2611],"tags":[],"class_list":["post-65677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buzz-headlines","wpcat-2611-id"],"_links":{"self":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/65677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=65677"}],"version-history":[{"count":0,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/65677\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/media\/65678"}],"wp:attachment":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=65677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=65677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=65677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Founded by Ivan Heng in 2000, Wild Rice has grown into one of Singapore\u2019s most prominent theatre companies, known for productions that are unafraid to tackle local history, identity, and social issues with humour and heart. Since 2019, the company has had a permanent home at Funan, where its main venue, the Ngee Ann Kongsi Theatre, features a 358-seat thrust stage inspired by the Royal Shakespeare Company\u2019s Swan Theatre, that makes even the back row feel close to the action. A smaller studio space rounds out the venue, allowing for more intimate works alongside mainstage productions.\u00a0<\/p>\n
Wild Rice\u2019s programming spans original Singaporean works, reimagined classics, and family-friendly holiday musicals, often featuring local playwrights and performers. Beyond staging shows, the company runs youth and education programmes that introduce younger audiences to theatre. For anyone looking to dip into the local scene, it\u2019s a reliable starting point, with a season that usually has something for both first-timers and seasoned theatregoers.<\/p>\n
Address:<\/strong> 107 North Bridge Road, #04-08, Funan, Singapore 179105 Singapore\u2019s oldest professional bilingual theatre company, The Theatre Practice was co-founded in 1965 by cultural medallion recipients Kuo Pao Kun and Goh Lay Kuan. Over six decades, it has developed a body of work that spans original plays, musicals, classics, and experimental pieces, with a consistent thread of social consciousness running through its programming. The company produces in both English and Mandarin, making it a distinctive voice in a largely English-dominant theatre landscape. Under current Artistic Director Kuo Jian Hong, Practice has leaned further into playfulness and experimentation as a creative method, while maintaining its reputation for work that engages seriously with what it means to live in Singapore. Their home at 54 Waterloo Street also serves as an arts space open to the broader community.<\/p>\n Address:<\/strong> 54 Waterloo Street, Singapore 187953 One of Singapore\u2019s most respected non-profit theatre companies, The Necessary Stage was established in 1987 and is the only arts company in Singapore led by two Cultural Medallion recipients: founder and Artistic Director Alvin Tan, and Resident Playwright Haresh Sharma. The company is known for original, devised work built from research, improvisation, and collaboration rather than pre-written scripts, a process that has produced over a hundred plays staged in Singapore and abroad. TNS is also the organiser and curator of the annual Singapore Fringe Festival, bringing cutting-edge local and international work to Singapore audiences each year. Beyond mainstage productions, the company runs youth programmes, senior-oriented initiatives, and playwright development platforms that reflect a long-standing commitment to nurturing local talent at every level.<\/p>\n Website:<\/strong> necessary.org<\/a><\/p>\n<\/div>\n Established in 2002, Checkpoint Theatre has built its identity around original Singapore writing, putting the playwright at the centre of everything it does. Led by Joint Artistic Directors Huzir Sulaiman and Claire Wong, the company produces works that are grounded in local experience but travel well, with past productions performing at international arts festivals and earning consistent recognition at the Straits Times Life! Theatre Awards. Checkpoint also runs an Associate Artists scheme that has launched a generation of Singapore playwrights, and its published play anthologies have become a quiet institution of their own. Productions tend to be intimate and emotionally precise, with writing that earns comparisons to the best contemporary drama anywhere in the region.<\/p>\n Website:<\/strong> checkpoint-theatre.org<\/a><\/p>\n<\/div>\n Teater Ekamatra has been one of the most consistently compelling voices in Singapore theatre since its founding, with a focus on staging work that spotlights artists of diverse ethnicities and takes on socio-political subject matter head-on. Productions tend to be bold and formally inventive, and the company has earned multiple Straits Times Life! Theatre Awards across categories including Best Director, Best Actor, and Best Original Script. Ekamatra also invests significantly in developing the next generation of Malay and ethnic minority arts practitioners through programmes like its Playwright Mentorship Programme and the youth-focused merEKA. Under Artistic Director Shaza Ishak, the company has continued to push outward, with commissions from international arts festivals and a growing regional presence.<\/p>\n Website:<\/strong> ekamatra.org.sg<\/a><\/p>\n<\/div>\n Founded in 1999, The Finger Players is Singapore\u2019s oldest contemporary puppetry theatre company and one of its most distinctive. Where many companies use puppetry as novelty, The Finger Players have built an entire artistic philosophy around it, fusing traditional and contemporary puppetry forms with other disciplines to create productions that are visually striking and often unexpectedly moving. Their work ranges from intimate outreach performances to full mainstage productions, and the company is also one of Singapore\u2019s most well-travelled, having toured to Africa, Europe, Asia, and Australia. Beyond staging shows, they run education and capability-building programmes, including The Maker\u2019s Lab for emerging artists. Based at ONE-TWO-SIX Cairnhill Arts Centre, the company performs at various venues across the island.<\/p>\n Address:<\/strong> ONE-TWO-SIX Cairnhill Arts Centre, 126 Cairnhill Road, #03-01\/02, Singapore 229707 Founded in 2006 by French-Singaporean Nathalie Ribette, Sing\u2019Theatre occupies a distinctive corner of the local arts scene as a musical theatre specialist with a strong social mission. The company produces original musical revues that bring social conversations to the stage, often blending French sensibility with Singapore storytelling. But Sing\u2019Theatre is just as active beyond the stage: its community outreach programmes bring live music into hospitals across the island through ongoing partnerships with institutions including SGH and TTSH. The company also runs Sing\u2019Theatre Academy, offering singing, dance, and acting classes for adults and children. It is the kind of company that treats theatre less as an end in itself and more as a tool for connection.<\/p>\n Website:<\/strong> singtheatre.com<\/a><\/p>\n<\/div>\n Founded by husband-and-wife team Adrian and Tracie Pang in 2010, Pangdemonium has built a reputation for staging emotionally charged, often challenging works that don\u2019t shy away from difficult subject matter. The company\u2019s programming tends toward contemporary plays and musicals drawn from international repertoire, chosen for their resonance with Singapore audiences, from intimate two-handers to full ensemble productions. Tracie Pang directs most of the company\u2019s mainstage work, with a track record of wringing out nuanced performances from her casts. What sets Pangdemonium apart is a consistency of quality and a clear point of view, shows are picked with intention, and it shows. Their annual Season Ticket offering has cultivated a loyal following of repeat theatregoers who return year after year.<\/p>\n Website:<\/strong> pangdemonium.com<\/a><\/p>\n<\/div>\n Founded in 1993, Singapore Repertory Theatre (SRT) is one of the longest-running English-language theatre companies in the region and a fixture of Singapore\u2019s cultural landscape. The company stages a broad mix of mainstage productions ranging from internationally acclaimed musicals to straight plays, often bringing in global productions alongside homegrown work. SRT is also home to The Little Company, its dedicated children\u2019s theatre strand, and a Centre for Creative Learning that runs programmes for students, young adults, and educators. Their permanent home is KC Arts Centre along the Singapore River, a riverside venue that hosts both performances and community events throughout the year.<\/p>\n Address:<\/strong> KC Arts Centre, 20 Merbau Road, Singapore 239035 Dream Academy occupies a distinctly different corner of Singapore\u2019s theatre scene. Founded by Selena Tan in 2000, it is the city\u2019s leading privately owned commercial theatre company, known for original comedy and satire that consistently draws in first-time theatregoers alongside loyal regulars. The company is the creative force behind some of Singapore\u2019s best-known homegrown show brands, including the Dim Sum Dollies, Broadway Beng, and Crazy Christmas, productions that blend local humour, pop culture references, and a sharp sense of the absurd. It\u2019s approachable, unabashedly entertaining theatre that holds a mirror up to Singapore life without taking itself too seriously.<\/p>\n Website:<\/strong> dreamacademy.com.sg<\/a><\/p>\n Singapore\u2019s theatre companies are spread across the island and perform at a rotating mix of dedicated arts venues, converted spaces, and civic theatres, so it\u2019s worth checking each company\u2019s website directly for upcoming productions and ticketing. Most companies also offer subscription or membership schemes that give priority access to tickets and occasional behind-the-scenes perks, a worthwhile investment if you plan to go more than once a year. For more on Singapore\u2019s arts and culture scene, head to our Culture<\/a> section.<\/p>\n Singapore has a vibrant theatre scene with companies spanning a wide range of styles and genres. Some of the most well-regarded include Wild Rice, Pangdemonium, Singapore Repertory Theatre, The Necessary Stage, and Checkpoint Theatre, each with a distinct identity and programming focus.<\/p>\n<\/p><\/div>\n Theatre performances in Singapore take place across a range of venues, including Wild Rice at Funan, KC Arts Centre along the Singapore River, Victoria Theatre, Esplanade, and various black box spaces island-wide. Many companies perform at different venues depending on the production, so checking individual company websites is the best way to find current show locations.<\/p>\n<\/p><\/div>\n Yes, the majority of Singapore\u2019s professional theatre companies produce work primarily in English. Singapore Repertory Theatre, Wild Rice, Pangdemonium, Checkpoint Theatre, and Dream Academy all stage English-language productions. The Theatre Practice is notable for producing work in both English and Mandarin.<\/p>\n<\/p><\/div>\n Tickets for most Singapore theatre productions can be purchased directly through each company\u2019s website or via SISTIC, Singapore\u2019s main ticketing platform. Some companies also offer season tickets or membership programmes that provide early or priority access to shows.<\/p>\n<\/p><\/div>\n Yes, several Singapore theatre companies produce work specifically for younger audiences. Singapore Repertory Theatre\u2019s The Little Company stages dedicated children\u2019s productions, Wild Rice puts on an annual family-friendly holiday musical, and Sing\u2019Theatre runs youth programmes and performances accessible to families.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/details>\n<\/div>\n<\/div>\n Singapore\u2019s theatre scene is smaller than its ambitions. Across a handful of dedicated companies, the island punches well above its weight, producing original work that…<\/p>\n","protected":false},"author":1,"featured_media":65678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[2611],"tags":[],"class_list":["post-65677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buzz-headlines","wpcat-2611-id"],"_links":{"self":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/65677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=65677"}],"version-history":[{"count":0,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/65677\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/media\/65678"}],"wp:attachment":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=65677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=65677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=65677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Website: <\/strong>https:\/\/www.wildrice.com.sg<\/a>\u00a0<\/p>\n<\/div>\nThe Theatre Practice<\/strong><\/h2>\n
Website:<\/strong> practice.org.sg<\/a><\/p>\n<\/div>\nThe Necessary Stage<\/strong><\/h2>\n
Checkpoint Theatre<\/strong><\/h2>\n
Teater Ekamatra<\/strong><\/h2>\n
The Finger Players<\/strong><\/h2>\n
Website:<\/strong> fingerplayers.com<\/a><\/p>\n<\/div>\nSing\u2019Theatre<\/strong><\/h2>\n
Pangdemonium<\/strong><\/h2>\n
Singapore Repertory Theatre<\/strong><\/h2>\n
Website:<\/strong> srt.com.sg<\/a><\/p>\n<\/div>\nDream Academy<\/strong><\/h2>\n
\nFrequently Asked Questions (FAQ)<\/strong><\/summary>\n
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