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Ever since 2015’s Until Dawn, I’ve been a big fan of Supermassive Games. From wincing as Rami Malek meets a grizzly end at the hands of a buzzsaw in Until Dawn, to fleeing an undead monstrosity in Man of Medan years later, the Guildford-based team has always excelled in delivering thrilling, cinematic scares that I enjoy. It’s why I came into my preview session with high hopes for the studio’s fifth outing, Directive 8020. Yet after finally going hands-on with Supermassive’s first foray into sci-fi, my bizarrely brief demo left me feeling more underwhelmed than terrified.<\/p>\n
Part of Supermassive’s ongoing anthology series, The Dark Pictures, Directive 8020 sees the studio swapping teen slasher tales for eerie interstellar intrigue. A spaceship named the Cassiopeia is sent to survey a mysterious planet, Tau Ceti, as part of a routine resettlement mission, but a mysterious disaster occurs mid-orbit, causing the ship to violently crash on the planet’s surface. Stranded and with no way to contact Earth, things only get worse as the crew quickly discovers they are not alone. As they encounter unsettling alien lifeforms that can mimic the appearance of their prey, the researchers find themselves stranded, not knowing who to trust.<\/p>\n
This is essentially Supermassive’s homage to Alien and The Thing, with a sprinkle of Event Horizon for good measure. Loading into the game a couple of hours in–with details of the crash and their first encounter still kept tightly under wraps–I join the crew of the Cassiopeia after the mysterious crash has awoken them from hypersleep, but seemingly before true Kurt Russell-worthy paranoia has hit.<\/p>\n