{"id":47824,"date":"2026-04-27T16:14:35","date_gmt":"2026-04-27T08:14:35","guid":{"rendered":"https:\/\/sgbuzz.com\/?p=47824"},"modified":"2026-04-27T16:14:35","modified_gmt":"2026-04-27T08:14:35","slug":"incredible-works-of-wu-guanzhong-reimagined-in-hong-kong-dance-crossover","status":"publish","type":"post","link":"https:\/\/sgbuzz.com\/?p=47824","title":{"rendered":"Incredible works of Wu Guanzhong reimagined in Hong Kong dance crossover"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div id=\"\">\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Chinese painter Wu Guanzhong (1919-2010) remains one of the most important artists of the 20th century \u2013 a bridge-builder who combined traditional ink painting with the bold abstraction of Western modernism.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Later this month, the Hong Kong Dance Company (HKDance) will explore his visual language in the cross-disciplinary <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Grand Dance Poem In Between \u2013 Wu Guanzhong\u2019s Ink Odyssey<\/em>.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Co-presented with the Leisure and Cultural Services Department and co-organised by the Hong Kong Museum of Art (HKMoA), the production will be a highlight of both the French May Arts Festival and the Chinese Culture Festival 2026, which kicks off in June.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">One of the show\u2019s highlights will be to see how Wu\u2019s visual language is translated into a sensory spectacle of dance, light and sound.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">\u201cIt is a story of entrustment,\u201d explains Nadia Lau, curator of the HKMoA, which holds the world\u2019s largest public collection of Wu\u2019s work \u2013 over 460 pieces. \u201cIn June 2010, just days before he passed away, Wu Guanzhong instructed his son to bring his final four paintings from Beijing to Hong Kong to donate to us. We held a reception that evening, and he passed away that same night. It was as if he could finally let go, knowing his last works were safely entrusted to the public.\u201d<\/p>\n<div class=\"image-inline-container e1a5rv550 css-1llrc1m e1yqhwb40\" data-qa=\"Component-renderMap-StyledDiv\">\n<div class=\"image-inline caption e1fvabeq0 css-19sk4h4 ea9pn0s0\" data-qa=\"Component-Container\">\n<figure class=\"image-inline caption ea9pn0s1 css-1qeofuq e1gf69pb0\" data-qa=\"ArticleImage-ArticleImageContainer\">\n<div data-qa=\"ArticleImage-handleRenderImage-ImageContainer\" class=\"css-bjn8wh e1gf69pb3\"><img decoding=\"async\" alt=\"An official poster for Grand Dance Poem In Between \u2013 Wu Guanzhong\u2019s Ink Odyssey. Photo: HKDance\" data-qa=\"BaseImage-handleRenderImage-StyledImage\" class=\"e1gf69pb2 css-6ikqhs e445x7d0\" loading=\"lazy\" src=\"https:\/\/img.i-scmp.com\/cdn-cgi\/image\/fit=contain,width=1024,format=auto\/sites\/default\/files\/d8\/images\/canvas\/2026\/04\/27\/fbab7f1e-60d5-4c1a-a7c6-8460b2ad42aa_a1c2803f.jpg\" title=\"An official poster for Grand Dance Poem In Between \u2013 Wu Guanzhong\u2019s Ink Odyssey. Photo: HKDance\"\/><\/div><figcaption data-qa=\"ArticleImage-DescriptionContainer\" class=\"css-1bj5zno e1gf69pb1\">An official poster for Grand Dance Poem In Between \u2013 Wu Guanzhong\u2019s Ink Odyssey. Photo: HKDance<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">This trust was not given lightly. Wu\u2019s relationship with the museum dates back to 1985. Lau recalls a pivotal moment in 2002 when curators grouped three works \u2013 <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Two Swallows<\/em> (1981), <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Former Residence of Qiu Jin<\/em> (1988), and <em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Reminiscences of Jiangnan<\/em> (1996) \u2013 to be displayed together as a trilogy. \u201cWhen Wu Guanzhong saw this, he later wrote that he was \u2018captured\u2019. He felt the museum truly understood the essence of what he was trying to do.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.scmp.com\/lifestyle\/arts\/article\/3351519\/incredible-works-wu-guanzhong-reimagined-hong-kong-dance-crossover?utm_source=rss_feed\" target=\"_blank\" rel=\"noopener\">Read Full Article At Source <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chinese painter Wu Guanzhong (1919-2010) remains one of the most important artists of the 20th century \u2013 a bridge-builder who combined traditional ink painting with&#8230;<\/p>\n","protected":false},"author":1,"featured_media":47825,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[33],"tags":[3837,8034,21455,3569,1303,5231,10131,3155],"class_list":["post-47824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bored-interesting","tag-crossover","tag-dance","tag-guanzhong","tag-hong","tag-incredible","tag-kong","tag-reimagined","tag-works","wpcat-33-id"],"_links":{"self":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/47824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=47824"}],"version-history":[{"count":0,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/47824\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/media\/47825"}],"wp:attachment":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=47824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=47824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=47824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}