{"id":23233,"date":"2025-12-26T19:21:38","date_gmt":"2025-12-26T11:21:38","guid":{"rendered":"https:\/\/sgbuzz.com\/?p=23233"},"modified":"2025-12-26T19:21:38","modified_gmt":"2025-12-26T11:21:38","slug":"the-hong-kong-films-released-in-2025-ranked-from-worst-to-best","status":"publish","type":"post","link":"https:\/\/sgbuzz.com\/?p=23233","title":{"rendered":"The Hong Kong films released in 2025 ranked from worst to best"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div id=\"\">\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">There were, ultimately, no miracles for Hong Kong cinema in 2025.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">The forecast downturn in film investment has been keenly felt; even several \u201curban myth\u201d titles \u2013 the label jokingly given to high-profile projects wrapped years ago but left indefinitely, and often inexplicably, on the shelf \u2013 were summoned to fill the increasingly sparse slate.<\/p>\n<div class=\"image-inline-container e1a5rv550 css-1llrc1m e1yqhwb40\" data-qa=\"Component-renderMap-StyledDiv\">\n<div class=\"image-inline caption e1fvabeq0 css-19sk4h4 ea9pn0s0\" data-qa=\"Component-Container\">\n<figure class=\"image-inline caption ea9pn0s1 css-1qeofuq e1gf69pb0\" data-qa=\"ArticleImage-ArticleImageContainer\">\n<div data-qa=\"ArticleImage-handleRenderImage-ImageContainer\" class=\"css-0 e1gf69pb3\"><img decoding=\"async\" alt=\"(From left) Louis Koo Tin-lok, Gao Yuanyuan, director Juno Mak Chun-lung and Tony Leung Ka-fai at the photo call for Sons of the Neon Night at the Cannes Film Festival in May 2025. Photo: Lewis Joly\/Invision\/AP\" data-qa=\"BaseImage-handleRenderImage-StyledImage\" class=\"e1gf69pb2 css-6ikqhs e445x7d0\" loading=\"lazy\" src=\"https:\/\/img.i-scmp.com\/cdn-cgi\/image\/fit=contain,width=1024,format=auto\/sites\/default\/files\/d8\/images\/canvas\/2025\/12\/26\/83feb12d-c029-489c-8c55-fc6071a5b0ff_076182af.jpg\" title=\"(From left) Louis Koo Tin-lok, Gao Yuanyuan, director Juno Mak Chun-lung and Tony Leung Ka-fai at the photo call for Sons of the Neon Night at the Cannes Film Festival in May 2025. Photo: Lewis Joly\/Invision\/AP\"\/><\/div><figcaption data-qa=\"ArticleImage-DescriptionContainer\" class=\"css-1ixmelf e1gf69pb1\">(From left) Louis Koo Tin-lok, Gao Yuanyuan, director Juno Mak Chun-lung and Tony Leung Ka-fai at the photo call for Sons of the Neon Night at the Cannes Film Festival in May 2025. Photo: Lewis Joly\/Invision\/AP<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1xdhyk6 ec74h0k0\">Indeed, this year\u2019s numbers make for grim reading: fewer than 40 Hong Kong films opened in cinemas domestically, and the highest-grossing title, the animation <span data-qa=\"Component-Text\" class=\"css-0 ef9u0v00\"><em data-qa=\"ContentSchemaRender-defaultRenderMapFunctions-Component\" class=\"css-1mniedq ex3nmsa15\">Another World<\/em><\/span>, was the only film to take in over HK$14 million at the local box office.<\/div>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.scmp.com\/lifestyle\/entertainment\/article\/3337807\/hong-kong-films-released-2025-ranked-worst-best?utm_source=rss_feed\" target=\"_blank\" rel=\"noopener\">Read Full Article At Source <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There were, ultimately, no miracles for Hong Kong cinema in 2025. The forecast downturn in film investment has been keenly felt; even several \u201curban myth\u201d&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1864,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[33],"tags":[4921,3569,5231,5656,4515,463],"class_list":["post-23233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bored-interesting","tag-films","tag-hong","tag-kong","tag-ranked","tag-released","tag-worst","wpcat-33-id"],"_links":{"self":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/23233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23233"}],"version-history":[{"count":0,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=\/wp\/v2\/posts\/23233\/revisions"}],"wp:attachment":[{"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sgbuzz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}